POLZOVIĆ Jovan
POLZOVIĆ Jovan
Photographer
(Stara Pazova, 26 February 1915 – Novi Sad, 15 January 1997)
Finished the Public School at Nikolajevska Porta in Novi Sad. Then, apprenticeship with the photographer Nikola Krušedolac in Novi Sad. In 1933, started the career of a professional photographer. For a period, he worked at the studio of the Frenchman Felix la Forest in Herceg Novi, then at the „Tonka“ Studio in Zagreb. In the spring of 1940, moved to Belgrade, and before Easter 1941, he moved with his wife to Novi Sad (thus avoiding German bombing of Belgrade on 6 April). Opened his first own photography studio in 1943. Towards the war's end, while battles were still waged on the border, Polzović was engaged by a committee for identification of war crimes committed by the enemy and their collaborators: thus, he took photos of crime evidence and exhumation of victims of the Ustashi and Nazis at the concentration camps of Jasenovac, Vukovar and Sremska Mitrovica. His interests also lied in tourism-related, industrial, advertising, fashion and poster photography, as well as photography for books and catalogues, and portrait photography. For a long time, he worked for the Serbian National Theatre in Novi Sad, doing portraits and stage photography. He made several study tours: Köln and Loewerkusen. He worked in the team of Sidney Pollack's film "The Castle Keepers". His works are exhibited at the Metropolitan Opera, New York. His studios had been located in Poštanska and Pašićeva Street, before he moved to the Fortress. In 1950, he began his work on experimental photography.
Granted a studio on the Fortress in 1966.
Became member of UPIDIV in 1960.
Participated in many group exhibitions.
Awards: „Leica“ – a medal awarded by the Hungarian magazine Foto-élet/Photo-Life (1942); Silver Cup at the Exhibition of Industry and Crafts of Vojvodina, Novi Sad (1948); Gold Medal and Dipolma – international award, Crafts Fair, Belgrade (1958); Matica Srpska Award, Novi Sad (1961); FORMA 5 Novi Sad (1974).
Actress Milena Vrsajkov-Dapčević, photo
| 32. Water was reacting in a really strange way. The oars were coping with unexpected resistance, so that he seemed to be rowing on the land – he was pushing the boat rather than rowing! However, it was not that important – he was getting closer and closer to the black point. It did not move, as if it was fixed on the connection between the Sky and the River. He was preoccupied with rowing so that he could not look at it better. Just when he came close to it, still wiping the sweat that was running down his forehead, he lifted his head. His eyes remained blinded with the strangest scene they had ever seen. |
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